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It’s not a bad film, but then the source material is very strong – it’s much better than the Frank Oz remake. Goldman complained that director Bryan Forbes mostly rewrote his adaptation of Ira Levin’s classic novel. It’s quite a bright heist film, very seventies, and a little repetitive, but with a lot of charm. Audiences didn’t much care back then either, despite it starring Robert Redford and George Segal and being directed by Peter Yates. There are some repetitive spots in the middle, but the ending is one of the best of all time and the film is still remembered today.Īdapted from Donald Westlake’s first John Dortmunder novel, this is a film that no one gets that excited about. It’s a mostly wonderful script, with two sensational lead parts. He rewrote it slightly and it sold for a then-record $400,000. The first version mysteriously found no buyers. Goldman had long been fascinated by the history of these two outlaws, but didn’t want to do the research necessary to write a novel, so he wrote it up as a screenplay.
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No film was ever made of Boys and Girls Together although it was a best seller.)īutch Cassidy and the Sundance Kid (1969) The script holds up pretty well today, though Goldman was to do better on his next movie. The resulting movie, which starred Paul Newman, was a solid hit and revived the popularity of private eye movies. Goldman pitched Kastner the idea of doing a film based on the Ross Macdonald detective novels about Lew Archer and the producer agreed. Goldman’s novel Boys and Girls Together became a best seller and was optioned by producer Elliott Kastner.
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Goldman subsequently finished the Algernon script for Robertson, who disliked it, and replaced him with another writer (the resulting movie was Charly), but Goldman was always grateful to the actor for starting his screenwriting career. No one much remembers the resulting script or film – Goldman rarely talked about it – but he did get credit. Before Goldman handed in that script Robertson then recommended the writer be hired to Americanise some dialogue on Masquerade, a spy spoof on which Robertson had recently replaced Rex Harrison. His new novel No Way to Treat a Lady was read by actor Cliff Robertson who thought Goldman might be ideal to adapt the Daniel Keyes novel Flowers for Algernon into a screenplay. By the early 1960s, Goldman was well established as a novelist, enough to make a living at it – his third book, Soldier in the Rain, had even been filmed by Blake Edwards in 1963.